Working on the most-studied Italian text: making new the ‘paragraphematic’ level of Dante’s ‘Commedia

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Dante Alighieri’s Divine Comedy is the most widely transmitted (over eight hundred copies, including partial witnesses) and studied text of Italian literature. We do not possess either the autograph manuscript or the complete earliest phase of its transmission—indeed it would be more accurate to speak of “texts,” since the three canticles that make up the […]

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